Ruslan Kundys

Position: Associate Professor, Department of Directing and Choreography

Scientific degree: Candidate of Art Studies Sciences

Academic status: Associate Professor

Phone (office): +38(032) 240-36-23

Email: ruslan.kundys@lnu.edu.ua

Google Scholar profile: scholar.google.com.ua

ORCID profile: orcid.org

Academia.edu profile: independent.academia.edu

Facebook profile: www.facebook.com

LinkedIn profile: www.linkedin.com

Research interests

Choreography, dance, ballet, theater, art, culture, choreology
Musical design of choreographic disciplines (theory and teaching methods of folk stage dance, theory and teaching methods of Ukrainian academic dance, ensemble), musical art and pedagogy in the context of the Lviv bayan school.

Publications

  1. Video lecture
    1. Kundys Ruslan Muzychne vykhovannya fakhivtsya khoreohrafichnoho mystetstva, pedahohichnyy aspekt [Musical education of choreographic art specialist, pedagogical aspect] Vseukrayinsʹkyy mizhdystsyplinarni vidkryti lektsiy/praktykumy «Mystetstvo. Viyna. My.», koordynator O. A. Plakhotnyuk (19.05.2022 р.) https://youtu.be/g9i40qInHuwPublications
    1. Dushniy, A., Boichuk, A., Kundys, R., Oleksiv, Y., Stakhniv, R. (2022). Performing musicology: retrospective, methodological principles, looking to the future. Amazonia Investiga, 11(53), 82–91. https://doi.org/10.34069/AI/2022.53.05.8 URL: https://amazoniainvestiga.info/index.php/amazonia/article/view/2007 (Web of Science)
    2. Dem’yanchuk A., Kundys R. Khoreohrafiya v systemi syntezu mystetstv: ponyattya universalʹnoho mystetsʹkoho tvoru [Choreography in the system of art synthesis: the concept of a universal work of art]. Aktualʹni pytannya humanitarnykh nauk: mizhvuzivsʹkyy zbirnyk naukovykh pratsʹ molodykh vchenykh Drohobytsʹkoho derzhavnoho pedahohichnoho universytetu imeni Ivana Franka [redaktory-uporyadnyky M. Pantyuk, A. Dushnyy, V. Ilʹnytsʹkyy, I. Zymomrya]. Drohobych: Vydavnychyy dim «Helʹvetyka», 2022. Vol. 54. pp. 88–94. DOI https://doi.org/10.24919/2308-4863/54-1-12 URL: http://www.aphn-journal.in.ua/archive/54_2022/part_1/12.pdf
    3. Kundys R. YU., Nykorovych I. YU., Kiptilova N. V., Buhryn YU. Z. Osoblyvosti roboty z muzychnym materialom v postanovochniy diyalʹnosti studentiv-khoreohrafiv [Peculiarities of working with musical material in the production activity of choreographer students]. Molodyy vchenyy. Kherson, 2021. № 9 (85). pp. 140–144. URL: https://molodyivchenyi.ua/index.php/journal/article/view/2484/2469
    4. Kundys R. YU., Yashchenko K. A. Rozvytok khoreohrafichnoyi naukovoyi dumky v konteksti mystetsʹkykh intehratsiy u stanovlenni novitnikh form khoreohrafiyi v Ukrayini [Development of choreographic scientific thought in the context of artistic integrations in the formation of the newest forms of choreography in Ukraine]. III International Scientific and Practical Conference «Science of post-industrial society: globalization and transformation processes» July 22, 2022. NGO European Scientific Platform (Vinnytsia, Ukraine) and LLC International Centre Corporative Management (Vienna, Austria). Vol. 17. pp. 535–537. DOI https://doi.org/10.36074/grail-of-science.22.07.2022 URL: https://archive.journal-grail.science/index.php/2710-3056/issue/view/22.07.2022/4
    5. Kundys R. YU., Bandura KH. P. Problema peredachi diysnosti cherez umovnistʹ khoreohrafichnoho mystetstva [The problem of transmission of reality through the convention of choreographic art]. III Correspondence International Scientific and Practical Conference «Globalization of scientific knowledge: international cooperation and integration of sciences» May 27, 2022. Vinnytsia, Ukraine – Vienna, Austria: NGO «European Scientific Platform»». pp. 691–692. DOI https://doi.org/10.36074/grail-of-science.27.05.2022.129 URL: https://ojs.ukrlogos.in.ua/index.php/grail-of-science/issue/view/27.05.2022/749
    6. Nykorovych I. YU., Kundys R. YU. Hra «a prima vista» u roboti kontsertmeystera-bayanista na urokakh khoreohrafiyi [Playing “a prima vista” in the work of a concertmaster-bayanist in choreography lessons]. Scientific research, findings, and developments in technology in modern science: Proceedings of the International Scientific Conference (April 1–2, 2022). Riga, Latvia: Baltija Publishing, 2022. pp. 7–9. DOI https://doi.org/10.30525/978-9934-26-204-3и URL: http://www.baltijapublishing.lv/omp/index.php/bp/catalog/view/228/6011/12560-1
    7. Kundys R., Nykorovych I. On the issue of improving the skills of the accordionist-accompaniator on the example of Lviv choreographic groups. Visnyk Natsionalʹnoyi akademiyi kerivnykh kadriv kulʹtury i mystetstv: nauk. zhurnal. 2021. № 2. pp. 234–237. URL: http://journals.uran.ua/visnyknakkkim/article/view/240072
    8. Kundys R. YU., Dushnyy A. I. Osnovy formuvannya Lʹvivsʹkoyi bayannoyi shkoly v konteksti vykonavsʹkoyi tradytsiyi (terminolohiya, typolohiya, osoblyvosti rehionalistyky) [Foundations of formation of the Lviv accordion school in the context of performing tradition (terminology, typology, features of regionalism)]. Modern Ukrainian musicology: from musical artifacts to humanistic universals: Collective monograph. Riga, Latvia: «Baltija Publishing», 2021. pp. 294–316. DOI https://doi.org/10.30525/978-9934-26-072-8-15 URL:http://www.baltijapublishing.lv/omp/index.php/bp/catalog/view/126/3488/7347-1
    9. Kundys R. Folk authenticity and tradition in academic practice performing accordionist-accompanist. International Scientific Conference Innovation in Science: Global Trends and Regional Aspect: Conference Proceedings. March 12-13, 2021. Riga, Latvia: «Baltija Publishing». pp. 237–240. URL: http://www.baltijapublishing.lv/omp/index.php/bp/catalog/view/117/3179/6709-1
    10. Nykorovych I., Kundys R. Muzychna khrestomatiya yak osnova pochatkovoho etapu roboty kontsertmeystera-bayanista na urokakh ukrayinsʹkoho akademichnoho tantsyu [Musical textbook as the basis of the initial stage of the work of a concertmaster-bayanist in Ukrainian academic dance lessons]. I Correspondence International Scientific and Practical Conference «Globalization of scientific knowledge: International cooperation and integration of sciences» May 7, 2021. Vinnytsia, Ukraine – Vienna, Austria: NGO «European Scientific Platform»». pp. 663–664. URL: https://ojs.ukrlogos.in.ua/index.php/grail-of-science/issue/view/07.05.2021/529
    11. Kundys R. Repertuarni zbirky yak pidstava tvorchoyi diyalʹnosti bayanista-kontsertmeystera na urokakh narodno-stsenichnoho tantsyu [Repertoire collections as a basis for the creative activity of the accordionist-concertmaster in folk-stage dance lessons]. Estetyka ta mystetsʹkyy vymir realʹnosti: istoriya, suchasnyy etap ta perspektyvni napryamy rozvytku: materialy I mizhnarodnoyi spetsializovanoyi naukovoyi konferentsiyi, m. Khmelʹnytsʹkyy, 5 bereznya, 2021 r. / Mizhnarodnyy tsentr naukovykh doslidzhenʹ. Vinnytsya: Yevropeysʹka naukova platforma, 2021. pp. 47–50.URL: https://ojs.ukrlogos.in.ua/index.php/mcnd/issue/view/05.03.2021-4/465
    12. Kundys R. Scientific events of Lviv bayan school and their significance in mutual exchange by property and practical experience (2005–2012 years). Horizonty umenia 7: Zborník príspevkov z medzinárodnej vedeckej webovej konferencie. Banská Bystrica, 2020. – pp. 143–152. URL: https://www.facebook.com/groups/772631876839763/permalink/819730762129874/
    13. Kundys R. Khoreohrafichne mystetstvo v umovakh hlobalizatsiyi kulʹtury [Choreographic art in the conditions of globalization of culture]. International scentific and practical conference «Cultural studies and art criticism: things in common and development prospects»: coтference proceedings, November 27–28, 2020. Venice, Italy: Izdevnieciba «Baltija Publishings», 2020. pp. 79–81. URL: http://www.baltijapublishing.lv/omp/index.php/bp/catalog/download/81/2135/4585-1?inline=1
    14. Dem’yanchuk A. L., Kundys R. YU. Stvorennya khoreohrafichnoho obrazu zasobamy plastychnykh i chasovykh mystetstv [Creation of a choreographic image by means of plastic and time arts]. Visnyk Natsionalʹnoyi akademiyi kerivnykh kadriv kulʹtury i mystetstv, 2019. № 4. pp. 103–109. URL: http://nbuv.gov.ua/UJRN/vdakkkm_2019_4_22
    15. Kundys R. Diyalʹnistʹ lʹvivsʹkoyi bayannoyi shkoly u tematytsi naukovo-praktychnykh konferentsiy (2005-2012 rr.) [Activities of the Lviv accordion school in the field of scientific and practical conferences (2005-2012 years)]. Ukrayinsʹka kulʹtura: mynule, suchasne, shlyakhy rozvytku: Zb. nauk. zap. Rivnensʹkoho derzhavnoho humanitarnoho universytetu. Vol. 32. Rivne: RDHU, 2019. pp. 226–233. URL: http://kulturologiya.rv.ua/збірники/item/401-українська-культура-минуле,-сучасне,-шляхи-розвитку-вип-32.html
    16. Kundys R. Do pytannya muzykoznavchoyi ta naukovo-metodychnoyi diyalʹnosti Lʹvivsʹkykh pedahohiv-bayanistiv [On the issue of musicological and scientific-methodical activity of Lviv bayanist teachers]. Aktualʹni pytannya humanitarnykh nauk, 2013. Vol. 6. pp. 99–111. URL: http://nbuv.gov.ua/UJRN/apgnd_2013_6_13
    17. Kundys R. Dominuyuchi vektory Lʹvivsʹkoyi bayannoyi shkoly v konteksti akademichnoho narodno-instrumentalʹnoho mystetstva Ukrayiny [Dominant vectors of the Lviv accordion school in the context of academic folk-instrumental art of Ukraine]. Aktualʹni pytannya humanitarnykh nauk, 2013. Vol. 7. pp. 119–127. URL: http://nbuv.gov.ua/UJRN/apgnd_2013_7_14
    18. Kundys R. Lʹvivsʹka bayanna shkola v konteksti natsionalʹnoyi akademichnoyi shkoly hry na narodnykh instrumentakh [Lviv accordion school in the context of the national academic school of playing folk instruments]. Aktualʹni pytannya humanitarnykh nauk, 2012. Vol. 3. pp. 99–108. URL: http://nbuv.gov.ua/UJRN/apgnd_2012_3_13
    19. Kundys R. Rozvytok tvorchykh kontseptsiy M. Oberyukhtina u formuvanni profesiynoho bayannoho mystetstva Drohobychchyny [Development of creative concepts of M. Oberyukhtin in the formation of professional bayan art of Drohobychchyna]. Aktualʹni pytannya humanitarnykh nauk, 2017. Vol. 17. pp. 48–57. URL: http://nbuv.gov.ua/UJRN/apgnd_2017_17_10
    20. Kundys R. Tvorchistʹ kompozytoriv-bayanistiv yak chynnyk propahandy Lʹvivsʹkoyi shkoly [The creativity of bayanist composers as a factor in the propaganda of the Lviv school]. Zbirnyk naukovykh pratsʹ molodykh vchenykh Drohobytsʹkoho derzhavnoho pedahohichnoho universytetu imeni Ivana Franka, 2011. Vol. 2. pp. 43–46. URL: http://nbuv.gov.ua/UJRN/apgnd_2011_2_12
    21. Kundys R. Teoretychnyy aspekt bayanno-akordeonnoho mystetstva Lʹvivshchyny z pozytsiy typolohichnykh oznak rehionalʹnoyi vykonavsʹkoyi shkoly [The theoretical aspect of the accordion-accordion art of Lviv oblast from the standpoint of typological features of the regional performing school]. Collection of scientific works of young scientists of Ivan Franko Drohobych State Pedagogical University, 2012. Vol. 1. pp. 397–405. URL: http://nbuv.gov.ua/UJRN/apgnd_2012_1_57
    22. Kundys R. Khoreohrafichni kolektyvy Lʹvova yak chynnyk vdoskonalennya akordeonista-akompaniatora [Choreographic collectives of Lviv as a factor in the improvement of the accordionist-accompanist]. Kherson, Molodyy vchenyy, 2014. № 10. pp. 123–128. URL: http://nbuv.gov.ua/UJRN/Mir_2014_10_28
    23. Kundys R. YU., Dushnyy A. I. Providni avtorsʹki bayanni shkoly Ukrayiny yak vyznachalʹnyy skladnyk rehionalʹnoyi instrumentalʹnoyi tradytsiyi [Leading authorial accordion schools of Ukraine as a defining component of the regional instrumental tradition]. Aktualʹni pytannya humanitarnykh nauk: mizhvuzivsʹkyy zbirnyk naukovykh pratsʹ molodykh vchenykh Drohobytsʹkoho derzhavnoho pedahohichnoho universytetu imeni Ivana Franka. Drohobych: Vydavnychyy dim «Helʹvetyka», 2020. Vol. 30. pp. 148–154. URL: http://journals.uran.ua/index.php/2308-4855/article/view/212213
    24. Kundys R. YU., Zamlynnyy O. V. Problema vyboru syuzhetnoyi osnovy dlya khoreohrafichnoho tvoru [The problem of choosing a plot basis for a choreographic work]. Kherson, Molodyy vchenyy, 2018. № 5 (1). pp. 154–157. URL: http://nbuv.gov.ua/UJRN/molv_2018_5(1)_42
    25. Kundys R. YU., Kiptilova N. V., Baydina A. O. Estetyka ta ideolohiya vilʹnoho tantsyu. Filosofiya rukhu tila [Aesthetics and ideology of free dance. Philosophy of body movement]. Kherson, Molodyy vchenyy, 2018. № 10. pp. 168–172. URL: http://molodyvcheny.in.ua/files/journal/2018/10/40.pdf
    26. Kundys R. YU., Kiptilova N. V., Domazar S. O. Kvitka Tsisyk: khoreohrafichna interpretatsiya tvorchosti [Kvitka Tsysyk: choreographic interpretation of creativity]. Kherson, Molodyy vchenyy, 2018. № 10. pp. 172–176. URL: http://molodyvcheny.in.ua/files/journal/2018/10/41.pdf
    27. Kundys R. YU., Popovych A. B., Kiptilova N. V. Vybir yak osnova stvorennya ta vyrishennya konfliktu u khoreohrafichnomu tvori [Choice as a basis for creating and resolving conflict in a choreographic work]. Kherson, Molodyy vchenyy, 2020. № 9 (85). pp. 19–21. URL: http://molodyvcheny.in.ua/files/journal/2020/9/5.pdf
    28. Kundys R. YU., Popovych A. B., Tarasyuk O. V. Vzayemozvʺyazok baletmeystera z khudozhnykom ta kompozytorom pid chas stvorennya khoreohrafichnoho tvoru [The relationship between the choreographer and the artist and the composer during the creation of a choreographic work]. Kherson, Molodyy vchenyy, 2020. № 11 (87). pp. 72–75. URL: http://molodyvcheny.in.ua/files/journal/2020/11/16.pdf
    29. Kundys R. YU., Tsyaputa M. F., Borovnytsʹkyy O. I. Riznovydy arabsʹkoho narodnoho tantsyu Dabka [Varieties of the Arab folk dance Dabka]. Kherson, Molodyy vchenyy, 2019. № 10 (74). pp. 100–102. URL: http://molodyvcheny.in.ua/files/journal/2019/10/23.pdf
    30. Kundys R. YU., Chernysh D. O. Zapochatkuvannya ukrayinsʹkoho narodnoho tantsyu u dramatychnykh vystavakh kintsya XIX – pochatku XX stolittya [The beginning of Ukrainian folk dance in dramatic performances of the end of the 19th – beginning of the 20th century]. Kherson, Molodyy vchenyy, 2019. № 11 (75). pp. 887–889. URL: http://molodyvcheny.in.ua/files/journal/2019/11/187.pdf
    31. Kundys R. Lʹvivsʹka shkola bayannoyi hry z pozytsiy typolohichnykh oznak rehionalʹnoyi vykonavsʹkoyi shkoly [Lviv school of accordion playing from the perspective of typological features of the regional performing school]. Pedahohichni nauky: teoriya, istoriya, innovatsiyni tekhnolohiyi. Naukovyy zhurnal. 2010. №7 (9). pp. 283–290. URL: https://repository.sspu.edu.ua/bitstream/123456789/5374/1/Kundys.pdf
    32. Kundys R. Khoreohrafichne mystetstvo v umovakh hlobalizatsiyi kulʹtury [Choreographic art in the conditions of cultural globalization]. International scentific and practical conference «Cultural studies and art criticism: things in common and development prospects»: coference proceedings, November 27–28, 2020. Venice, Italy: Izdevnieciba «Baltija Publishings», 2020. pp. 79–81. URL: http://www.baltijapublishing.lv/omp/index.php/bp/catalog/download/81/2135/4585-1?inline=1
    33. Kundys R. L’vovskaya bayannaya shkola v kontekste natsional’nogo akademicheskogo narodno-instrumental’nogo iskusstva [Lviv bayan school in the context of national academic folk instrumental art]. Istoricheskiye, filosofskiye, politicheskiye i yuridicheskiye nauki, kul’turologiya i iskusstvovedeniye. Voprosy teorii i praktiki. № 3 (29). Tambov: Gramota, 2013. Vol. 1. pp. 94–97. URL: https://www.gramota.net/articles/issn_1997-292X_2013_3-1_25.pdf
    34. Morushko O. O., Shit T. R., Kundys R. YU. Istoriya rozvytku amatorsʹkoho ta profesiynoho artystychnoho rukhu v balʹnomu tantsi (kinetsʹ ХІХ – 70-і roky ХХ st.) [The history of the development of the amateur and professional artistic movement in ballroom dance (end of the 19th – 70s of the 20th century)]. Kherson, Molodyy vchenyy. 2019. № 7 (71). pp. 200–204. URL: http://molodyvcheny.in.ua/files/journal/2019/7/39.pdf
    35. Kundys R. YU., Nykorovych I. YU., Kiptilova N. V., Buhryn YU. Z. Osoblyvosti roboty z muzychnym materialom v postanovochniy diyalʹnosti studentiv-khoreohrafiv [Peculiarities of working with musical material in the production activity of choreographer students]. Kherson, Molodyy vchenyy. 2021. № 9 (85). pp. 140–144. URL: https://molodyivchenyi.ua/index.php/journal/article/view/2484/2469
    36. Dushnyy A., Kundys R. Naukovo-metodychne ta navchalʹno-repertuarne zabezpechennya Lʹvivsʹkoyi bayannoyi shkoly naprykintsi ХХ-ho – pochatku ХХІ-hо stolitʹ [Scientific-methodical and educational-repertoire provision of the Lviv accordion school at the end of the 20th-beginning of the 21st centuries]. Narodno-instrumentalʹne mystetstvo na zlami XX–XXI stolitʹ: Zb. mat. II-yi mizhn. nauk.-prakt. konf. (DDMU im. V. Barvinsʹkoho, 25.03.09, m. Drohobych). Drohobych, Pósvit, 2009. pp. 56–63.
    37. Kundys R. Definitsiya Lʹvivsʹkoyi bayannoyi shkoly v konteksti rehionalʹnoho ta natsionalʹnoho znachennya. Narodno-instrumentalʹne mystetstvo na zlami ХХ–ХХІ stolitʹ [Definition of the Lviv accordion school in the context of regional and national importance]: Zb. mat. III-yi Vseukr. nauk.-prakt. konf. (m. Drohobych, DDPU im. I. Franka, 19.03.10). Drohobych: Pósvit, 2010. pp. 56–60.
    38. Kundys R. Deyaki pryklady bayannykh ansambliv lʹvivsʹkoyi shkoly u zhanri konkursnykh zmahanʹ [Some examples of accordion ensembles of the Lviv school in the genre of competitive competitions]. Suchasni tendentsiyi rozvytku osvity i nauky v interdystsyplinarnomu konteksti : Materialy II-yi Mizhnarodnoyi naukovo-praktychnoyi konferentsiyi, 24–25 bereznya 2016 roku) [redaktory-uporyadnyky: I. Zymomrya, V. Ilʹnytsʹkyy]. Chenstokhova – Uzhhorod – Drohobych: Pósvit, 2016. pp. 107–108.
    39. Kundys R. Do pytannya fenomenu Lʹvivsʹkoyi bayannoyi shkoly [To the question of the phenomenon of the Lviv accordion school]. Teoretyko-metodolohichni aspekty mystetsʹkoyi osvity: zdobutky, problemy ta perspektyvy: materialy Vseukrayinsʹkoyi naukovo-praktychnoyi konferentsiyi (m. Umanʹ, 20-21 zhovtnya 2011 r.). Umanʹ: PP Zhovtyy O. O., 2011. pp. 91–94.
    40. Kundys R. Etapy stanovlennya Lʹvivsʹkoyi bayannoyi shkoly yak chynnyka propahandy ukrayinsʹkoho akademichnoho narodno-instrumentalʹnoho mystetstva [Stages of formation of the Lviv accordion school as a factor in the promotion of Ukrainian academic folk-instrumental art]. Narodno-instrumentalʹne mystetstvo na zlami ХХ–ХХІ stolitʹ: zbirnyk materialiv VI-yi mizhnarodnoyi naukovo-praktychnoyi konferentsiyi (DDPU im. I. Franka, 07.12.12, m. Drohobych). Drohobych: Pósvit, 2012. pp. 69–72.
    41. Kundys R. Zhanrove bahatomanittya muzyky dlya bayana-akordeona kompozytoriv Lʹvivsʹkoyi shkoly [Genre diversity of music for accordion-accordion by composers of the Lviv school]. VI-a Vseukrayinsʹka «Muzychna osvita Ukrayiny: problemy teoriyi, metodyky, praktyky» ta III-a mizhnarodna «Tvorchistʹ dlya narodnykh instrumentiv kompozytoriv Ukrayiny ta zarubizhzhya» naukovo-praktychni konferentsiyi (DDPU im. I. Franka, 9–10 travnya 2013 r., m. Drohobych): Zbirnyk materialiv ta tez. [Red.-upor. A. Dushnyy, B. Pyts]. – Drohobych: Pósvit, 2013. pp. 216–223.
    42. Kundys R. Kadrove zabezpechennya mystetsʹkykh navchalʹnykh zakladiv oblasti vypusknykamy Lʹvivsʹkoyi bayannoyi shkoly na suchasnomu etapi [Staffing of art educational institutions of the region by graduates of the Lviv Bayan School at the current stage]. Aktualʹni pytannya bayanno-akordeonnoho vykonavstva ta pedahohiky v mystetsʹkykh navchalʹnykh zakladakh [Red.-upor. ta vidp. za vyp. A. YA. Stashevsʹkyy]. Luhansʹk: Polihrafresurs, 2010. Vol. 4. pp. 83–88.
    43. Kundys R. Lʹvivsʹka shkola bayannoyi hry z pozytsiy typolohichnykh oznak rehionalʹnoyi vykonavsʹkoyi shkoly [Lviv school of accordion playing from the perspective of typological features of the regional performing school]. Mystetsʹka osvita v konteksti yevropeysʹkoyi intehratsiyi: teoretychni ta metodychni zasady rozvytku: Mat. II-yi mizhn. nauk. konf. (Sumy, SDPU im. A. Makarenka, 28-30 veresnya 2010 r.). Sumy: SumDPU, 2010. pp. 96–97.
    44. Kundys R. Naukovo-praktychni konferentsiyi Lʹvivshchyny ta yikh sutʹ u vzayemnomu obmini dosvidom [Scientific and practical conferences of the Lviv region and their essence in mutual exchange of experience]. Narodno-instrumentalʹne mystetstvo na zlami ХХ–ХХІ stolitʹ: Zb. mat. II-yi mizhn. nauk.-prakt. konf. (m. Drohobych, DDMU im. V. Barvinsʹkoho, 25.03.09). Drohobych: Pósvit, 2009. pp. 76–80.
    45. Kundys R. Repertuarni retseptsiyi predstavnykiv Lʹvivsʹkoyi bayannoyi shkoly u naukovomu svitli suchasnosti [Repertoire receptions of representatives of the Lviv accordion school in the scientific light of modernity]. Tvorchistʹ dlya narodnykh instrumentiv kompozytoriv Ukrayiny ta zarubizhzhya: zbirnyk materialiv ta tez VI-yi mizhnarodnoyi naukovo-praktychnoyi konferentsiyi (DDPU im. I. Franka, 7 travnya 2016 r., m. Drohobych). [redaktory-uporyadnyky A. Dushnyy, B. Pyts]. Drohobych : Pósvit, 2016. pp. 46–47.
    46. Kundys R. Suchasnyy etap Lʹvivsʹkoyi bayannoyi shkoly v ukrayinsʹkomu muzykoznavstvi [The modern stage of the Lviv accordion school in Ukrainian musicology]. Istoriya, teoriya ta praktyka muzychno-estetychnoho vykhovannya: Zb. nauk. mat. 4-ho Vseukr. nauk.-prakt. seminaru. Drohobych: Pósvit, 2010. pp. 238–241.
    47. Kundys R. Fenomen avtorsʹkoyi shkoly Mykhayla Oberyukhtina: zasady, tradytsiyi, spadkovistʹ [The phenomenon of Mykhailo Oberyukhtin’s author’s school: foundations, traditions, heredity]. Rozvytok suchasnoyi osvity i nauky: rezulʹtaty, problemy, perspektyvy. Tezy I-yi Mizhnarodnoyi naukovo-praktychnoyi konferentsiyi molodykh vchenykh (DDPU imeni I. Franka, 21–22 lystopada 2013 roku). [Redaktory-uporyadnyky V. Ilʹnytsʹkyy, A. Dushnyy, I. Zymomrya]. Drohobych: Pósvit, 2013. pp. 96–99.
    48. Kundys R. Do pytannya Lʹvivsʹkoyi shkoly bayanno-akordeonnoho mystetstva z pozytsiyi typolohichnykh oznak rehionalʹnoyi vykonavsʹkoyi shkoly [On the issue of the Lviv school of accordion art from the standpoint of typological features of the regional performing school]. Ukrayinsʹka kulʹtura: suchasne, shlyakhy rozvytku: Zb. nauk. zap. Rivnensʹkoho derzhavnoho humanitarnoho universytetu. U 2-kh t. Rivne: RDHU, 2011. Vol. 17. pp. 220–225.
    49. Kundys R. Do pytannya spivvidnoshennya avtorsʹkoyi ta rehionalʹnoyi bayannykh shkil [On the question of the correlation between author’s and regional accordion schools]. Muzykoznavchi studiyi instytutu mystetstv Volynsʹkoho natsionalʹnoho universytetu imeni Lesi Ukrayinky ta Natsionalʹnoyi muzychnoyi akademiyi Ukrayiny imeni P. I. Chaykovsʹkoho: zb. nauk. pr. [upor. O.Komenda]. Lutsʹk: Volyn. nats. un-t im. Lesi Ukrayinky, 2010. Vol. 5. pp. 186–196.
    50. Kundys R. Navchalʹni vykonavsʹki kolektyvy Lʹvivshchyny yak chynnyk bayannoho vykonavsʹkoho profesionalizmu [Educational performing groups of Lviv region as a factor of accordion performing professionalism]. Muzychne vykonavstvo i pedahohika: istoriya, teoriya, interpretatsiyni aspekty kompozytorsʹkoyi tvorchosti (Naukovyy visnyk NMAU im. P. I. Chaykovsʹkoho) Avtory proektu, red.-upor.: M. Davydov, V.Sumarokova. Kyyiv: NMAU, 2011. Vol. 96. pp. 264–272.
    51. Kundys R. Pytannya zhanrovykh inspiratsiy u tvorchosti predstavnykiv Lʹvivsʹkoyi bayannoyi shkoly [The issue of genre inspirations in the work of representatives of the Lviv accordion school]. Muzychne mystetstvo ХХІ stolittya – istoriya, teoriya, praktyka: zbirnyk naukovykh pratsʹ instytutu muzychnoho mystetstva Drohobytsʹkoho derzhavnoho pedahohichnoho universytetu imeni Ivana Franka [zahalʹna redaktsiya ta uporyadkuvannya A. Dushnoho]. Drohobych – Kelʹtse – Kaunas – Almaty: Pósvit, 2018. Vol. 4. pp. 262–270.
    52. Kundys R. Predstavnyky Lʹvivsʹkoyi bayannoyi shkoly v konteksti natsionalʹnoho ta mizhnarodnoho vykonavstva ta pedahohiky [Representatives of the Lviv accordion school in the context of national and international performance and pedagogy]. Muzykoznavchi studiyi instytutu mystetstv Volynsʹkoho natsionalʹnoho universytetu imeni Lesi Ukrayinky ta Natsionalʹnoyi muzychnoyi akademiyi Ukrayiny imeni P. I. Chaykovsʹkoho: zb. nauk. pr. [upor. O. Komenda]. Lutsʹk: Volyn. nats. un-t im. Lesi Ukrayinky, 2011. Vol. 8. pp. 58–68.
    53. Kundys R., Dushnyy A. Avtorsʹka shkola Mykhayla Oberyukhtina v konteksti bayannoho mystetstva Lʹvivshchyny [Author’s school of Mykhailo Oberyukhtin in the context of accordion art of Lviv region]. Mystetsʹka osvita: istoriya, teoriya, praktyka (Visnyk Luhansʹkoho natsionalʹnoho universytetu imeni T. Shevchenka). Poltava: LNU, 2016. № 2 (299). pp. 201–210.
    54. Kundys R. Tvorchestvo akkordeonista-akkomponiatora na primere deyatel’nosti khoreograficheskikh kollektivov g. L’vova [Creativity of an accordionist-accompanist on the example of the activities of choreographic groups in Lvov]. Perspektivy raboty obrazovatel’nykh uchrezhdeniy iskusstva v usloviyakh modernizatsii khudozhestvennogo obrazovaniya. Materialy II Mezhdunarodnoy nauchno-prakticheskoy pedagogicheskoy konferentsii (Belgorod, 28 noyabrya 2014 g.). Belgorod: Izd-vo BGIIK, 2014. pp. 93–98.

     

Biography

Doctor of Philosophy (PhD) 2019,
Associate Professor of the Department of Directing and Choreography, Ivan Franko Lviv National University

Projects

member of the National All-Ukrainian Music Union;
member of the Creative Union “Association of accordionists-bayanists of Ukraine”;
member of the Creative Union of the “Association of Artists of Pop Art of Ukraine”;
Honored figure of pop art of Ukraine;
member of the Center for Ukrainian-European Scientific Cooperation.

Awards

Laureate of all-Ukrainian and international competitions.
International competition in Przemyśl (Poland, 2003).
Laureate of all-Ukrainian competitions:
II All-Ukrainian Competition of performers on folk instruments named after Anatoly Onufrienko (Drohobych, 2009, 1st prize), “Perpetual Movement” (Drohobych, 2009, 3rd prize); as part of a duet with Hanna Knysh “Perpetual Motion” (Drohobych, 2008, 3rd prize) and as part of a trio with Hanna Knysh and Mykola Tsyuryk at the 2nd All-Ukrainian Competition of performers on folk instruments named after Anatoly Onufrienko (Drohobych, 2009), 1st prize)
Laureate and diploma holder of the regional competitions of the DMSh (Lviv, 2000), “Young Talents of Lviv” (2001, 3rd prize).
In 2019, laureate of the regional prize for significant achievements in the field of science.

Schedule

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